Knowledge of the Higher Worlds III
he Knowledge of the Higher Worlds III is a lecture written by Rudolf Steiner about spiritual development.
Dancers by Allison L. Williams Hill
I would like to briefly sketch again what we started last time, in order to build on it further. You will recall that I tried to explain the various degrees of higher vision to you, and to break them down into the activities that lead us up into the higher realms, into the realms of the higher beings, which we must consider if we really want to go through the entire human history of development through the various planets. I ask you to bear in mind that such a consideration must necessarily remain quite sketchy, that one has to discuss many things that are really quite difficult to express in ordinary everyday terms, because one is dealing with things for which ordinary language is not really created. Ordinary language is there to describe what is real to the senses, what surrounds us. It is therefore quite inadequate for all the things for which we want to evoke an idea today.
In schools in Europe where, for centuries – or more precisely, since the fourteenth century – ideas such as we are now allowed to discuss publicly in elementary terms have been developed in the same way, it was certainly not the case – especially in the higher grades – that the words of ordinary language were spoken, but rather in a so-called symbolic language. First, a certain language was acquired. First one acquired a certain way of expressing oneself, which then offered the possibility of characterizing in that peculiar way that is necessary if one wants to penetrate into such supersensible realms.
Spirit of the Island I by Allison L. Williams Hill
Now let me briefly repeat what I hinted at last time. I told you that at first our ordinary, everyday way of looking at things - and that is also the one that our science has - is the so-called material knowledge. This has its object outside of ourselves. It has its object in the sense world, and it then builds up knowledge with the help of the image, then goes from the image to the concept and from the concept to the I. So in our material knowledge we are dealing with: object, image, concept and I. These four things are to be considered.
Clem in Light by Allison L. Williams Hill
When we now have to move on to the first stage of higher knowledge, the object must remain away, the external sensual object must fall away. So of what we have within our ordinary knowledge, only image, concept, I remain. The fact that external objects no longer stimulate us, that external objects no longer affect our sensuality, that the sensation is no longer there, is replaced by illumination, which forms images from within for our ordinary images, so that they are not visions, not illusions, but become what mystics of all times have called imaginations.
Cradled by Allison L. Williams Hill
If one wants to form a correct concept of what is meant here by imagination, then one must already be able to see, to see correctly, everything that still demands a connection to an external object. I think I mentioned last time that this often causes great disappointment to students who are to be trained in this kind of knowledge. Man expects that when a higher knowledge is to present itself, which appears to be the case in ordinary life, that it will approach him from the outside. That was also the mistake with spiritualism. I do not want to say anything against spiritualism. The mistake lay only in the method. The mistake is that the spiritualist has the things in front of him like an earthly object that stimulates his senses. That is why it is basically not a good preparation for a higher desire for knowledge if one goes through spiritualism, although I know very well that many of our best Theosophists have gone through spiritualism. But in the times before the Theosophical Society popularized these higher insights in their elementary stages, there were no schools. They did not build on the spiritualist method at all. They set out directly to reeducate people so that they would be able to truly rise into the supersensible world without external inducement. The spiritist tries to bring the supersensible world down to his ordinary capacity for perception. He says to himself:
I can recognize that external objects stimulate me; if the higher world is to have reality, then the essence of a higher world must appear to me in the same way as ordinary things. They have to adapt to my capacity for perception. But the occultist says: No, the objects and beings of a higher world do not descend here, not where one sees with the eyes and reaches with the hands, but one must ascend to them, one must develop within oneself the organs necessary to see in the higher world. Therefore, for today's humanity, a much better training than any external event to come to the higher vision is the passage - as strange as it may seem to those who expect something different - the passage through the arts. What man should make use of, if he does not go directly through the school of clairvoyance, in order to come again to a deeper vision, to an imagination, that is the deepening in what art can give him, and that is art in all fields. We must be clear about the role that art has played for a long time in the development of our humanity. Through such things, many things also become clear to us that would otherwise be extremely difficult to understand.
Follow the advice for the purpose of getting a vivid idea of what I have to say. Follow me into what are called the Greek mysteries, the Greek mysteries, in the time before Homer wrote his poems. Those times when this Greek spirit and seer performed long primal dramas that the best minds sought. But because they were not able to look back clairvoyantly, did not find any positive science in it, what they achieved appears more like a hunch than real knowledge. But if we go back to these earlier times, into which Nietzsche, for example, wanted to look when he conceptually grasped the Dionysian in contrast to the Apollonian, if we go back to these times, we see how teachers led their students to hidden cultural sites and prepared them to see the primal drama there. What did they see there? They saw the secret of the existence and development of the world. What we endeavor to explain in many words, these pupils experienced in astral vision, in real vision: the descending deity that descended into the material, that has descended into the material before time began. And then the transformation of this original formation of matter into the forms that surround us today — into minerals, plants and animals. It was shown how the invisible, supersensible Deity was once creative in the universe, and how it formed and condensed those fruits from which our creation proceeded, how, as it were, the physical emerged from the spiritual as from cloud formations, and how the initial formations gradually developed into the complicated and ultimately into the microcosmic human being. The entire process of the evolution of the world was presented to the student. This was called “the great world tragedy.”
First, the great living divinity that descended into matter, was buried in it, and then resurrected in man. And now it was made clear to the student: this process takes place within yourself, it has taken place within you and continues to take place within you. You were already involved in those formations that took place before time began. In those formations you were in the beginning of becoming, and they changed and changed until your present form was reached. Today you feel how that which lives in you as soul, as spirit, rises up again, how that which has sunk into matter, the divinity, rises again as if from a grave, from which the divinity rises, and that when you then say 'I', the divinity speaks within you. All this was explained in complete vividness. And in this way, things were united that have long since been lost to today's humanity. This was possible by placing these students in a completely different state of consciousness than the one in which people find themselves in everyday life, so that they were surrounded by the living images of the whole process of world-becoming. It is therefore a matter of the students, so to speak, feeling the consciousness shining within them, making the objects of everyday life visible to them. The external objects passed around them, but what they were trying to show them appeared in them in much more vivid colors than the objects of nature would ever be able to present themselves. The fire of the deity stood before their soul. And the fire that metamorphosed so that everything else emerged from it, that was there in a way similar to how the dreamer has a superficial knowledge of the dream.
Question II by Allison L. Williams Hill
If you translate this dream into something that has regularity and harmony and largely as what surrounds us in the outside world, then you have a weak idea of what was going on in the soul of such a student of the primal drama. It was said of such a student that he had seen the world in the twilight. The world event, this whole world becoming, then sounded into these images. The visible arts are an imprint of such imagination, of such images around us. They relate to this imagination, to this vision, as a silhouette relates to the real object. They are thus related to clairvoyant imagination, while our material vision has no relation to clairvoyant imagination.
Knowledge of the Higher Worlds Artistic Imagination
The artistic imagination is a shadow of the true imagination. This is not to say that I consider artistic imagination to be of lesser value than clairvoyance. Back in the days when people could still awaken their clairvoyant abilities, when they could see into ancient times, there was no art. What was experienced was religion and art and science at the same time. Everything that led people to the higher worlds was offered in it. Later these three separated. Mankind had to go through this state. And since that time, art has been an external shadow image. External art is an internal imaginative vision. It is part of the process of development that humanity has lost this original vision for a while. What was awakened as a result is another state of consciousness. And in a later present, this introduces art in a tangible, visible form. That is why artistic vision is so beneficial for imaginative vision. That is the first stage: illumination.
Knowledge of the Higher Worlds
The second stage was the one where the image also disappears, where we are only dealing with concepts and the ego, and where inspiration occurs [in place of the image]. Inspiration is there for the person when the so-called continuity of consciousness occurs. Continuity of consciousness means: the person not only has consciousness during everyday life, but also continues this consciousness into sleep. As you know, one partial brightening of sleep is the dream consciousness. The ordinary person has this dream consciousness only in a chaotic way. In the one who develops to clairvoyance, to illumination, the dream images begin to become regular, lawful. He sees truths in dreams that he would not see without developing this dream life into regularity. In such undeveloped people, there is always the dreamless sleep as a state of consciousness. So there are clairvoyant individuals who have developed to the point where they have filled part of their sleep with regular dreams that reveal new worlds. This is the beginning of this stage of illuminative clairvoyance, of imagination. Then you also see how other people, in whom they do not have this, live in their dreams.
Now the person who guides such a person must bring them to the point where they, the student, can bring their dream visions into everyday reality; that is, that they can perceive in everyday life what they perceive in their dream vision. Let's be clear about this. The ordinary dreamer: what do they see? He has experienced something during the day. This appears to him in his dream as a reminiscence. It is an echo of the experiences of the day. Or, he perceives his surroundings in some way. He hears a train rushing by. He wakes up and realizes that he has symbolically perceived the ticking clock next to him as a train. Or the moods in which a person finds himself can also be expressed symbolically in a dream. For example: a person becomes feverish and dreams of a boiling stove. I am telling you facts here that really happened once. I ask you to bear in mind that I am only giving examples of events that really happened. Now let's assume that a person dreams of ugly animals. The chaotic then ceases under the guidance of the secret teacher, and the student perceives things that do not come from everyday life. Things are revealed to him that he does not know from our world. Only when the student is able to transfer this into everyday life, then we make what he experiences the subject of occult wisdom.
So how do we regularize what I have characterized as chaotic? We start at the very beginning. You dream, for example, under the guidance of the teacher. The exercises are done as meditations, and they have the effect that you actually see a person suffering in your dreams. The person is in front of you in a certain situation. You are very soon convinced that you were not dreaming, nor that it is not real, but you convince yourself that you were with a friend who is suffering or has suffered. You have not seen anything sensual, but you have experienced the soul, the real soul life. You then experience not only one such individual soul life, but soon soul life in abundance. You have to familiarize yourself with the diversity of stories. You have to learn to grasp them in an orderly fashion. This is a long and patient task, but we have to do it. Then we dream this into our everyday life.
You will then be able to see the same thing in everyday life with a fully alert consciousness. You will not see what is sensual, but what is spiritual. You must imagine that you will be surrounded by the soul. When you, as a clairvoyant, are confronted with a person, you will at first see nothing differently than any other person sees. But when you turn your attention to his soul, he becomes spiritually transparent to you. But the right dream state must have preceded this. Then the other will follow, because there are very definite stages.
The next stage is where consciousness no longer fades, or at least does not need to fade, where you are therefore aware during dreamless sleep, where you are able to wake up in the morning knowing that you have had experiences, have really lived, throughout the night. This experience of dreamless sleep is not in such images. It cannot be compared with the world of images that are around us in dream-filled sleep. What occurs first in dreamless sleep is a world of sounds and speech, a world of tones and words. Dreamless sleep is first filled with words. You see, in the first stages of this clairvoyant development, you experience this quite sporadically and individually. You simply know in the morning that something has been said to me. You remember what was said to you. You know quite well that something like this could not be said to you in your present life, in ordinary life. It is perhaps a great truth that you could not experience in ordinary life. This calling and hearing was something spiritual. This is spread more and more until finally the whole life of dreamless sleep is a continuous conversation with other entities.
Spiritual Elevation with Mother, Brother, and Beloved by Allison L. Williams Hill
However, a prerequisite for not indulging in illusions in this world is that one has already attained a certain higher degree of inner selflessness. Someone who criticizes a lot, who likes to say a lot of derogatory things about the world and its phenomena, may very often be exposed to the most terrible, deceptive ideas at this stage of development. Therefore, the teacher will, above all, impress upon the students again and again. He will tell the student: Try, over and over again, to ask only questions and to let the answers be given to you from this state. This is quite different from what one actually does in ordinary life. In life, one is quickly finished with an answer. Try to look at life from this point of view. Today, everyone says, “I think so,” or “That is my opinion.” That is what people say today. But the occultist who wants to rise to this level should never speak that way. But when he has prepared himself, he should be able to speak differently within. He should ask questions of the world and learn to refrain entirely from giving an answer himself. This is a mood that Goethe, who knew it, describes in simple words. He says: We are not made to answer the problem, but to pose the problem, to pose it quite clearly, and then to await the further development in reverence. Creating this mood is extremely important for the student at this stage of development. Therefore, it is very useful at this level if he has the self-control and selflessness to set himself a very important task and to refrain from forming any opinion. After all, what he can say is usually only what corresponds to his ordinary level of intelligence. He already has this point of view. But he wants to go beyond this, and so he should completely refrain from answering and wait to be given the answer. In this state of dreamless sleep, it will be whispered to him. From this state, an ever deeper and deeper world arises, which is a world of conversation.
I would like to draw attention to a passage of this kind, to the profound saying of one of our exquisite minds, Goethe. Those who have read or heard Goethe's fairy tales will remember a passage that goes:
“What is more glorious than gold?” asked the king. “Light,” replied the snake.
“What is more refreshing than light?” asked the king. “Conversation,” replied the snake.
At this point, Goethe points out that he knew everything we have discussed here. This conversation, which is about light, is what he is referring to. Then one brings what one has experienced in this way in a dreamless state into everyday life. Some will be tempted to believe that the clairvoyant no longer sleeps without dreams at all, but sees all the time. That is not necessarily so. It does not depend on how much of the night is filled with such experiences. There can be long periods of dreamless sleep in between.
It is true – I think I have already hinted at it: anyone who can experience something in dreamless sleep in this way hears all the objects around him. He hears the glass of water, he hears every little thing that whispers something to him. This is the third stage of knowing, inspiration.
In this way, the scriptures that are called inspired were created. Today, theologians and scholars dispute the method of inspiration in the writings of initiates. Imagine what has been written about whether or not the gospel is inspired – by teachers who have no idea that there is such a thing as revelation. Inspired writings
are for those who one day will be made to disappear as painlessly as possible. The greatest parts of the three synoptic gospels and the gospel of John were written in a state of clairvoyance. They are inspired. We are not dealing with a miracle, not with a dictation from a god, but with this state. Therefore, only those who know something about how truths come in such states can understand them.
I am more in love with my husband. Yet his remains are in a box adjacent to my bed that I have not opened since I received it in 2015, the year he transitioned.
“Until death do you part,” spoken at nearly the end of a wedding ceremony, personally says, "If I should survive this marriage then I am permitted to marry another." Another ceremony would be created and executed before others I may or may not know as was my first wedding, and we can continue living together and experience life together.
Something is amiss. We are mortal. It is expected that we will die. It is a gamble as to who in a couple will pass first. The love that grows between people may stir feelings of not wanting to live should our beloved leave. Desires of passing on first fill the mind and heart.
The next stage is intuition. It expresses itself clearly to you through feeling: you are now inside things, no longer outside them. You now crawl into every thing. This is the state of intuition. The ordinary person only has the state of intuition with his ego. When a person is developed enough, he is inside every thing.
The human being perceives the spirits of twilight at the first level, at the level of imagination. At the level of inspiration, the human being perceives the spirits of fire or of fire nebula. At the level of intuition, he perceives the spirits of personality, the spirits that lie hidden everywhere as the basis of the world-Iche. When he has reached that point, he can truly immerse himself in the depths.
But there is also a raising above this state. This consists in the fact that man no longer merely perceives, but that he participates with humanity. This is even something where understanding itself easily ends with those who still go along to the level of intuition. They will no longer go along so easily from there. It is only through comparison that one can get closer to what I am saying now.
It is also a passive state in intuition. The person submerges, but in a certain respect remains passive. They only begin to become inwardly active when they rise higher inwardly. They now participate in the world. The state that I am now describing can only be reached if one has already reached the state of intuition. When someone has reached the point where they can completely immerse themselves in the object, where they feel that it is themselves, and where they feel as if they have entered the body of a dog or a tulip, so that they not only hear it but also feel what it is inside themselves, then they can move on to something else. He can first rise to the animal kingdom. When he does this, he initially has the task of selflessly observing the animal world around him, and he has to focus his attention on the different animal species. Then, while he has been in individual animals through intuition, a stage will now arise for him where he steps out of the individual animal again, but remains within the animal being itself. Let us say, for example, he has been observing a dog. Through intuition, he is able to completely immerse himself in the dog, to experience all its sensations, and to empathize with all the pleasure and pain that it feels.
Now there is a higher level. Here the person goes beyond things without losing all of this. But the special existence is lost in the process. He rises above the individual being, but in the animal nature he remains in it. He loses interest in the individual being, the special characteristics of this individual being disappear. As he gradually rises above it, but the essence of this being remains present, forms appear in his mind that he has not seen before. He first grasps the ego of the individual being and then takes this ego out of the being like an extract. It takes shape and forms itself, and now he gets what Plato called “ideas”. These are Plato's ideas. You no longer have a single dog, but you have a spiritual, living form before you. This gives you more than the individual being. You have the model for all these beings. You have what is called the soul of the species, and not as an abstract concept, but as a living reality. You are surrounded by the souls of the animal species. You now live with these as you previously lived with the merely sensual animals. Space is not empty around you. But the beings you see there do not look like the beings that walk around us. They are completely new beings, and they do not fit the individual being, the individual dog, but they do fit all of the same species. It is something much more abstract and much more alive than the physical. What you see there are the spirits of form. They belong to a higher spiritual world. One of these form spirits was Jehovah. He was the form spirit that constituted the generic soul of humanity. The generic archetype of humanity was the god Jehovah. It is at this level of the spiritual world that one can reach him, that one can rise to that which in the Jewish mystery teaching is called Jehovah, to the spirit of the human form.
Another spirit had to join this spirit of the human form if a new, different one was to develop. This spirit of the human form had only made man such that he was like the soul of the species. Individual life would not have emerged. Individual life emerged when man struggled to recognize good and evil. This is powerfully and impressively depicted in the Fall of Man. Jehovah did not want to go further than the form. Until then, he guided man. In connection with other entities, man then took over his guidance through the Jehovah principle. So you see him sinking with man's arrogance over the animal world into what is called the world of forms.
When man has reached the point where he begins to sense this entity, then he can rise to the next level. This consists in the fact that he now learns to recognize in these beings that which he has learned to see and recognize at a lower level, in the natural beings, when he goes beyond the form to the life. The first thing you perceive, and why I have to call it that, is that you first see this generic soul in the form. But you have to rise to a higher level of insight if you want to see this world of forms in motion, in action. You cannot do that by merely immersing yourself in the animal world. This gift will only be granted to you when you immerse yourself in the plant world with devotion and do the same with it as I have described with the animal world. When you immerse yourself in the plant world with intuition, but do not lose the essence of the plant, so that the essence of the plant remains and you know how to merge with the whole nature of the plant, when you succeed in experiencing the suffering and rejoicing of the great natural world through the plant world.
When these things are spoken
of to a modern man – and the more scientific he is, the more – he laughs
at you. But it is nevertheless true that in the plant world, joy and
suffering can be perceived by those who can live with the plant world,
not as a mere comparison, not as a symbol, but in such a way that they
know how to perceive the expression of the inner feeling, just as a
person perceives a feeling when a tear comes out of the eye. There is
therefore a real level of perception where the dew beading on a plant
announces real life to you, a life like that in a tear welling up from
an eye. When you are able to see in the sap flowing out of
the tree
when you cut it, a manifestation of life in nature, just as you cut
yourself and know that it then hurts, then you are where you can ascend
into the world of activity, into the world of movement. Then you can
perceive that the beings, which you previously only saw in form, are
alive inside. That's when the beings start to talk. The generic souls
say something to you.
The next stage is reached when a person is able to feel the same way about the mineral kingdom as I said for plants, about inanimate nature. Kant said: two things fill him with a sense of awe, the starry sky above him and the moral law within him. But that remains abstract as long as the abstract sky fills us with awe, so
that it is still enough for us that the inanimate starry sky speaks to us. But the materialistic view already shows us that the dead crystal is not just dead and mute, but that it also speaks to us the secrets of nature. These secrets can be reached by lovingly immersing ourselves in nature.
Anyone who has done what I have described, who has suffered and rejoiced with the plant world, will also find it easy to understand the dull language of inanimate nature – although there is also a gulf there. It is relatively easier to understand the language of plants than the language of stones. Even at these higher levels, it remains true that we understand best that which is akin to us. We are akin to human feeling, human pain and human joy. Even though the joy and pain that appear in the plant world are very different from human joy and
human pain, they still have something faintly related about them that we do not recognize in the mute world of stone. But the new thing that we recognize in the mute world of stone is precisely what would elevate us so highly [above] what makes us so weak. The mute stone world has no more desires. The world of desire is silent there, it ceases, before we pass from the plant world to the stone world. The plant and animal worlds end here. The plants still have something analogous to desire, which increases in animals and is strongly evident in humans. This is what makes them unchaste, while the stone is chaste. Those who understand stone come to know beings that are chaste and desireless. One comes to know a life without desire or longing in the stone kingdom. When we can feel and perceive something similar in the stone kingdom, as I have described in the plant world, we come to recognize what it means to be a being that is chaste by nature. The chaste, mute world of stone, of which we no longer say that, as with the dewdrop, as with the dripping pitch of the tree, it expresses joy and pain, but must say that it, in discreet, completely restrained silence, faithfully preserves itself within itself and does not, if I may express myself trivially, flaunt what it experiences internally. That is the tremendous thing that we recognize in the interior of the stone world. The stone world reached perfection so many years ago. In truth, the stone world is the greatest. What we see today as rock crystal once went through its time of unchastity when we look back billions of years. The greatest wisdom of nature appears to us when we examine it in the soundless world of the stars, the stones and crystals.
The stage of form leads us to the spirit of form. The second stage, which starts from the plant world, leads us to the spirits of movement and activity, and the same stage of observation leads us to the spirits of wisdom. We do not reach them until we bring to life within ourselves the mute, chaste, self-contained entity,
the living entity of the stone kingdom.
If you would like a brief description of what happens in a person, the following may be said. The person must first let the outer light around him disappear; he must first stand before inanimate nature and disregard everything that his senses tell him. Then there is darkness at first. When he now rises to the contemplation that I have described, then all beings shine from within. An inner light shines through and radiates through all these beings and radiates from them. And this is the light of wisdom. These are the stages of contemplation that lead us up to what I have described as the spirits of wisdom.
Now, as you know, at the very beginning of Saturn's development there are the spirits of will. If you want to learn to recognize these, you do not have to turn to animals, plants and minerals in general. Rather, to grasp the spirits of will, you must have something very special. No matter how fantastic you may consider what I am about to say, I hope that will not be the case. If you want to rise even higher - after you have more or less mastered the other levels - you have to approach something - it seems paradoxical - such as an anthill, in which not only animals of the same species are united, but also live in wise connection, and delve into the spirited interaction of these little creatures. The rational scientist does not do that. But the clairvoyant lives with the males and females and workers, all organized in their own way, and they interact in a wonderful way, so that he is inwardly identical with them.
This is the method for getting to know the will. Schopenhauer wrote a
lot about the will. But he could have written this chapter if, as a
clairvoyant, he had stuck his head into an anthill. There you learn to
recognize what the will is by its very nature. There you learn to
recognize what it means when you yourself pronounce
the word 'I
will'. This word lives deep within your own nature. Many things in your
own nature come together there. But you only perceive the result. The
natural scientist gives you a completely different view. What I am
describing to you is taken from life. If, on the other hand, you choose a
beehive instead of an anthill, you are doing something completely
wrong. What lives in the beehive is quite different from what lives in
the anthill.
We have spoken of the spirits of will, of wisdom, of form, of motion, of personality, of fire, of twilight, then of humans, animals, plants and minerals. These entities are not plucked out of thin air, they are not inventions, they are not speculations that are presented to you in elementary occultism, which passes itself off as theosophy, but they are things that are acquired through experience.
I could only make suggestions as to how something like this comes about, what is referred to as elementary theosophy or elementary occultism. In this way, one acquires the higher abilities that grant insight into the higher worlds.
This, you see, is something of what must be revived in the future. There is really a lot around us today that can cause concern, and I believe that what can really worry someone who is enthusiastic about real human progress is also the fact that many do not keep their eyes open. Man should be a pioneer in keeping his eyes open. What matters is not that individuals call themselves Theosophists, but that we find the means and ways in the great development of humanity to give a new foundation to what would otherwise really have to collapse.
Let me conclude the reflections of the old year with this reference, which I have made before. Much destruction is being wrought around us, much that might indicate to the attentive observer, even if he is not clairvoyant, that we are at the beginning of a great work of destruction in terms of external material things, which has developed over the past century, for material development only goes so far.
Supplement from notes of unknown authorship
But what is most worrying is that so many of our fellow human beings do not keep their eyes open for what is needed by humanity. The theosophist, however, should be a pioneer in this work of keeping their eyes open. It is not important that individuals sit down and develop, but to work together in the great development of humanity, to find ways and means to give new content to what would otherwise really have to collapse. Much destruction is being wrought around us today. Much that will alert the attentive observer to the fact that we are at the beginning of a work of destruction, of the material culture of the nineteenth century; for this has not been accompanied by a corresponding spiritual development. We are capable of wireless telegraphy; now imagine this ability of man developed just a little further, so that here in Berlin you could take a cab and drive through Friedrichstrasse with a wave generator, in order to destroy the entire Louvre in Paris by means of the corresponding wave excitations. No one would be able to prove the assassin in such a case. All our legal concepts will be completely powerless in a time that can easily be imagined; a time will come when purely material culture will, by and large, lead itself ad absurdum, where it has a destructive and devastating effect.
Only by the inner soul culture now moving up, so that people no longer depend on the external, and although the worst is done, but only the right thing happens, only by this can help. The path of development of today's humanity shows the first beginnings already. Only the path of inner, spiritual development can lead out again, and Theosophy is a necessary new beginning of a cultural direction, to which, so to speak, the necessary inner morality can be found to counteract the overwhelming external culture, which can only lead out, because man has the soul, the spirit, in addition to the material. That is why the renewed spiritual movements of today are so necessary, so that the forces that would otherwise wither away can be practised and cultivated again.
ALWH Soul Portrait by Allison L. Williams Hill
Clem broke my heart when he died. As I write this, I feel tears though not as much or as many as I did when he died. It is not about getting used to. It is about accepting and finding, for me, new and different ways of still including him in my life.
I abide, in other words, I continue to accept that we are married. I love thinking that Clem is my divine compliment. While in different dimensions, he is in the Place of Origin, where we all come from, and I am here, incarnate. We touch but it is different. My education about spirituality trained me to become aware of energy, of different types of energy while in the physical form. It began over half my life ago at a point where I received urgings to get serious (and I got this message from Raphael later that exposed me to the night energy work that brought Clem into my life) about my spiritual work.
A message from Spirit:
Be what I AM.
Be that of What I AM.
Be the Divine Essence.
Walk the Earth as God.
Walk the Earth as Goddess.
Walk the Earth as Spirit.
Become the Lightworker I was born to be,
I AM defined by the Light.
I AM the Lightworker and the Way.
I AM to surrender to the Divine. I rise up and unite with God.
Links
The above meditation mandala will be available soon.
